The final single before we release our fourth album ‘We Are Humans’ at the end of the month. David and I are both in agreement that this is the best song we’ve ever written together, and no matter what happens with this album, I’ll die happy knowing that we reunited and created this.
I’ve written a blog about the true story behind the lyrics on my personal website here. The dehumanisation of refugees in the UK right now is a disgrace – I don’t care if that makes me a virtue-signalling snowflake.
So, instead of reeling-off stats and figures, I’m telling stories. And I believe that ‘Superheroes’ says the most of all of the stories that I heard. It was released digitally on 16 August and is available to stream or download via all major digital providers here.
Our fourth album ‘We Are Humans’ is released digitally on 30 August (pre-order here), and on limited edition white vinyl on 25 October (pre-order here).
It’s finally here (almost). Our new album ‘We Are Humans’ will be in your ears before the end of summer – you can pre-order it on digital format via all major digital providers here. That’s available from 30 August.
And far more exciting than that, you can pre-order it on limited edition white vinyl here. That’s out on 25 October.
I know that bands always say this, but we passionately believe that this is our best album yet. I’m over the moon that we’ve made it, and that we’re releasing it on a label like Fierce Panda. So get pre-ordering, and before you know it, you’ll be able to let us know what you reckon. Nice one.
Oh, and we’re launching the album at The Victoria in Dalston on Tuesday 3 September, if you fancy it. Tickets are on sale here and the poster is below.
We’re fairly used to political turmoil in the UK right now. What at first appeared to be a cocky Cameron bluff to appease the Tory swing towards UKIP in 2015 has descended into complete and utter chaos like we’ve never seen before.
Now then! Ahead of the Leeds gig, a couple of folk were chatting on Facebook about how much merch money they were planning on bringing. At which point I had a very sudden realisation that we didn’t have any merch.
So, I threw together some designs, contacted RDS Print in Wakefield (not a sponsored plug, I just like to support local businesses) and around 5 minutes before the doors opened at Hyde Park Book Club, we had three t-shirts ready to sell.
The t-shirts cost £10 each plus P+P, and at the moment they’re available in S, M, L and XL. They’re Fruit of the Loom valueweight t-shirts, so they’re great for summer (and for afterwards, obviously). They’re available via Nymphs & Thugs here.
You’ll be aware that the pink t-shirt is for ‘#RefugeesWelcome’ and that the yellow t-shirt is for ‘Boro Kitchen 4am’. The white t-shirt contains the artwork for our forthcoming fourth album ‘We Are Humans’, which will be available to pre-order very soon!
Following a six year hiatus, Skint & Demoralised returned with ‘Boro Kitchen 4am‘ earlier in the spring. Documenting a chat about Brexit at a Teesside house party, it introduced a raw musical edge from producer David Gledhill, combined with mature and politically-minded lyrics from poet Matt Abbott. Fittingly, it was released on The Day Nothing Happened, ie 29 March.
Where ‘Boro Kitchen 4AM’ brought a raw post-punk energy with it, follow-up ‘#RefugeesWelcome‘ contains elements of jangly upbeat indie whilst still carrying a raucous insistence. The verses take a scathing swipe at the refugee crisis, from the media’s coverage to the UK government’s role via a shed-load of public attitude. The chorus however relies on rousing simplicity, insisting “We are humans, we are all immigrants”.
Lyricist and poet Matt Abbott volunteered at the Calais Jungle in 2016 and his acclaimed one-man show ‘Two Little Ducks‘ laid the foundation for the new album’s lyrical content. Or should that be lyrical discontent? When Skint & Demoralised first emerged on the scene in 2007, Matt Abbott was completing his A-Levels and David Gledhill was producing in Sheffield under the guise ‘MiNI dOG’. Northern Soul-inspired tracks about teenage relationships (see ‘Red Lipstick’) led to a MySpaced-out A&R feeding frenzy and within 9 months they’d signed to Universal Records – one of those classic meteoric rises that the music industry churns out every now and again.
Fast forward to 2019 and Abbott is 30 years old and rapidly establishing himself on the UK’s flourishing spoken word scene while Gledhill, known more recently for his nonchalantly successful SOULS releases, is also releasing a track a week from his East London studio on a new piano project called ’52 Weeks Makes A Year’. Skint & Demoralised have changed, and so has the world around them. Fittingly, their forthcoming fourth album ‘We Are Humans’ is completely unlike previous releases, and represents a sharp political reflection of the tumultuous times that engulf us. (Un)rest assured that ‘#RefugeesWelcome’ and ‘Boro Kitchen 4AM’ represent just the tip of this thoroughly irked creative iceberg.
Following a six-year hiatus, Skint & Demoralised returned with brand new single ‘Boro Kitchen 4am‘ on 29 March. After receiving heavy airplay on BBC Radio 6Music from one of our old champions Steve Lamacq, we followed it up with second single ‘#RefugeesWelcome’ on 14 June (available to stream or download here via all platforms).
It’s 10 years since S&D first performed at Brighton’s music showcase festival The Great Escape. I ended-up falling off the stage at the end of the pier during our first gig there. Fortunately I didn’t fall off the pier itself and am therefore able to return in 2019…